Atrophy Myths

by Moth Traps

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1.
Drone Kid 03:59
I will buffer, I will insulate, I’ll drown out all the screaming And the oscillating fear. Drone: beating bone, tidal moan, the thrumming of a hammered stone. I will mute I will numb I’ll dampen resonating sounds That overcrowd the bell dome Drone: dying groan, ear drums blown, The whirling of a cyclone. I surrender, I am mute. I am prostrate. I succumb, I am so numb I will resonate. I am matter I vibrate Strike me I’ll reverberate: Alone In my drone, I’m alone with my drone.
2.
Children 04:17
They were /only children Playing at / the world They had / barely made their marks Before they were wiped away. A world of fragile structure That burned beyond the edges Made in collusion with The thrilling surge of youthful fire. I will listen to the symphonies they never got to write. And I’ll fall in love with characters their beautiful minds devised. I’ll watch the movements of their ghosts as they embrace their freedom A pirouette of memory and tragedy. To find yourself / so briefly To lose yourself / completely The fireworks / of life Burn bright but they burn brief. A world of fragile structure That burned beyond the edges Made in collusion with The thrilling surge of youthful fire. I will listen to the symphonies they never got to write And I’ll fall in love with characters their beautiful minds devised. I’ll watch the movements of their ghosts as they embrace their freedom - a pirouette of memory and tragedy.
3.
When storm Arwen comes And the tree falls down On all of those badly stacked Memories. When the lights go down And the ice creeps in And strokes your reddening Cheeks. There’s just People in rooms Trying to be happy. I’d like to go to the Songbird garden in your mind Nothing matters out there; The snow settles down, Shaking off the angst of The Summer. We are DNA. Polynucleotide chains. There is comfort in these Bonds. The fire draws us near; The flame blackens bread. We eat under fading Lightbulbs. We huddle to feel All the warmth we have left: The vitality of the human soul. And so it seems That all is dark. This temporary Veneer Is so easily Forgotten.
4.
Bent Akimbo 05:42
We were driving towards the rising sun On the day that you were born. I was blinded: I could see that I was over. I could see that I was done. (Rewinding towards my obscure beginning) Oh, bent akimbo Feet in hands Swallowing whole My own conception When you came out screaming My purpose was laid bare for me. This vessel is meaningless. This vassal of seemlessness (Just a servant to survival) Oh, bent akimbo Feet in hands Swallowing whole My own conception You can see the poetry in spreadsheets I’ll scrape my music on the walls of empty cells. What is this, Some sort of metamorphosis? My fictional character, My protagonist? Or just the devour of a superior power? I wrote you into existence In a fabricated land. Now you can erase me And repopulate my traces of my hand.
5.
Move your feet all mummery flair Spiral ribbons through the air. You are connotations; You are your denote. Movement is your meaning; Gesture is your boast. M-m-move your words in shape. Pose and dictate. Stance through embrace. M-m-move your words in shape. Stand up and state. Physically enunciate. Shift your feet kaleidoscope Hips and bipps and gyroscope. Your are definitions; You are ascertain. Inference through motion Revolution through strain.
6.
In this house, we eat with damaged utensils - Buckled forks, contorted spoons - and the food often doesn’t reach our mouths. The animals are glad of the morsels. Always when we dine now, we use broken crockery: the images chipped and faded to ghosts carrying water across bridges and farm animals with elongated bodies and pensive expressions. She is not here, darling. She is not here, darling. She shall come tomorrow. She has taken flight, straight out through the window. Straight out through the window - starling, starling. We must feed the birds now - winter is a killer. Seeds and lard. Seeds and lard. The birds are our future.
7.
Superlyfe 04:39
There are four materials of lyfe: 1. It draws on energy 2. It grows exponentially 3. It can regulate itself to stay stable 4. It learns and remembers information Alyve! Alyve! Superlyfe!
8.
For the purpose of healing we are Under the gaze of one another. For gathering together We dream isolation dreams. Sat beneath bright halos, we are hooded and smothered. The shadows are rising; The water will drown out the light. I may not be pure ballast; My foundations they may crumble too But if you find yourself adrift I will feel you better. But do not pen and ink, Calligraphy, write curlicue love poetry. And do not pen bland balladry. The empty words won’t leave a scar. And do not paint those abstract lines that trace the route to broken times. And do not shape regret in clay. The form of it is poison. Whatever cynics will dictate; however your anxieties will suffocate; Whoever lashes with their thorn bush lies: I will feel you better. Whatever criticisms that are borne; and judgements that are misinformed; Whichever empty friends have turned away: I will feel you better.
9.
10.
It was only after departure that we could see you clear. Finally a man emerged. The film of your decay was pulled away. A good man who was always there. Running up hills And answering back, Drawing lines beneath words because they mattered. You cannot hold two versions of a person in one mind. You cannot peel away decay to find them in their prime. Until that gasp of freedom, Until they become the sky.
11.
Drawn to an image of being. Styled to a vision of what it could be. Tearing at scraps of magazine glamour Collaging facets of me. Saint-made, hot pink, burning the box of beautiful things. Chainsaw sculpture imaginings, Tearing at time-worn dreams Bring me tomorrow today: Strapped to the platter And steaming with life. Fetch me the future in every way And I will devour until I am empowered with Flashes of intangibility. Carved out of quartz and confessions Collisions of stone into human hair. Shape, fabricate this. Make it all me. Tear up those time-worn dreams. Tap tap the glass of the barometer Storm rain change fair - calling down pressure. Shape, dominate the surface you see Carve out an artifice of me From quartz and confessions Collisions of stone into human hair. Shape, fabricate this. Make it all me. Tear up those time-worn dreams.
12.
The doorway’s askew With German expressionist Perspective. I’ll let myself in for a moment. The decor is dank, The angles robust So I’m sliding and loose and unfocused. I painted your house; I studied Matisse. The facade is now cut up in pieces. Take me downstairs To the jigsaw zone Take me downstairs to your broken home. Talking of crisis. In the Hepworth hole Of empty space, I’ll mould myself Into a typeface That spells out my name In whispers and sighs And a Latinate Magic disguise. I pointed your wall, I feathered your bed The funicular takes me Back from where I ascended While I lay in bed I think of your walls. You partition yourself into fractions on the whole. The logic is fuzzy, The perspective askew. The construction of homes The construction of horrors The construction of roles The pattern of desires The pattern of control. Once the roof has gone, It will become a ruin. Let’s vacate the domestic. A vision of hell - insulated cells. Let’s vacate the domestic - This palace is folding in on itself.

about

Atrophy Myths are stories of decay;
Atrophy Myths are markers of change;
Atrophy Myths are chronicles of death:
They allow us to live with grief in our hearts.

On one level, these songs are personal, describing the ups, downs and acrosses of a human life over a series of years. But they are also universal, dealing with things that most of us will eventually live through: birth, death, the ruinous impact of time’s unraveling. They represent a way of coping with a period of great upheaval in my life: on one hand, the birth of children and the glorious disruption that parenthood brings; on the other, the passing of responsibilities from my parents’ generation and coping with the reality of their inevitable decline and death.

For most of human history, such experiences would either have been lost to the vacuum of forgetfulness or, if precious enough, moulded and shaped into stories: the best way humanity had of passing on knowledge. Now we all have the potential to solidify our experiences into art that can exist beyond the limits of our flesh. More than anything, these songs are an attempt to take rapidly disappearing moments with loved ones and fix them in time. When our bodies lie rotting in the ground, they will remain, fixed in the digital ether, offering immunity from our inevitable decay: atrophy myths.

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released July 28, 2023

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Moth Traps Glasgow, UK

DIY Domestic Dingy-Pop.

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